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On the 20th of August 2022, the centenary of the passing of Felipe Pedrell transpired-an occasion marking the solemn remembrance of the esteemed progenitor of Spanish musical nationalism. The catalogue of musical compositions by Pedrell, established in 1977, comprises a total of 231 titles. However, it encompasses more than five hundred works when considering revisions and reinterpretations of certain compositions. In the catalogue of his works, there is a notable emphasis on his interest in art song with accompaniment, serving as the foundation for his musical creations and a key element in his nationalist ideology. His initial compositions for voice and piano date back to 1857, where he endeavours to distance himself from the prevailing trends in Spanish music during his era and align with European musical styles. He achieves this by utilizing texts from Germanic poets associated with the early Romantic period, such as Heine and Uhland, while also drawing influence from the Italian operatic tradition. Expanding his list of authors, he incorporates the works of his contemporaries from France, Catalonia, and the rest of Spain, being the first Spaniard to title his collections of songs and melodies with the German word Lieder, starting from 1871. The Pedrell songs are marked by enormous contrast, and all closely related to the text's message. The voice and piano accompaniment are superbly treated, and some songs exhibit exotic influences (Arab), at times mysterious and at others romantic. Undoubtedly, a work worthy of being among the most important lyrical repertoire.
On the 20th of August 2022, the centenary of the passing of Felipe Pedrell transpired-an occasion marking the solemn remembrance of the esteemed progenitor of Spanish musical nationalism. The catalogue of musical compositions by Pedrell, established in 1977, comprises a total of 231 titles. However, it encompasses more than five hundred works when considering revisions and reinterpretations of certain compositions. In the catalogue of his works, there is a notable emphasis on his interest in art song with accompaniment, serving as the foundation for his musical creations and a key element in his nationalist ideology. His initial compositions for voice and piano date back to 1857, where he endeavours to distance himself from the prevailing trends in Spanish music during his era and align with European musical styles. He achieves this by utilizing texts from Germanic poets associated with the early Romantic period, such as Heine and Uhland, while also drawing influence from the Italian operatic tradition. Expanding his list of authors, he incorporates the works of his contemporaries from France, Catalonia, and the rest of Spain, being the first Spaniard to title his collections of songs and melodies with the German word Lieder, starting from 1871. The Pedrell songs are marked by enormous contrast, and all closely related to the text's message. The voice and piano accompaniment are superbly treated, and some songs exhibit exotic influences (Arab), at times mysterious and at others romantic. Undoubtedly, a work worthy of being among the most important lyrical repertoire.
8436597700702
Songs
Artist: Pedrell / Aguirre / Martin-Royo
Format: CD
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On the 20th of August 2022, the centenary of the passing of Felipe Pedrell transpired-an occasion marking the solemn remembrance of the esteemed progenitor of Spanish musical nationalism. The catalogue of musical compositions by Pedrell, established in 1977, comprises a total of 231 titles. However, it encompasses more than five hundred works when considering revisions and reinterpretations of certain compositions. In the catalogue of his works, there is a notable emphasis on his interest in art song with accompaniment, serving as the foundation for his musical creations and a key element in his nationalist ideology. His initial compositions for voice and piano date back to 1857, where he endeavours to distance himself from the prevailing trends in Spanish music during his era and align with European musical styles. He achieves this by utilizing texts from Germanic poets associated with the early Romantic period, such as Heine and Uhland, while also drawing influence from the Italian operatic tradition. Expanding his list of authors, he incorporates the works of his contemporaries from France, Catalonia, and the rest of Spain, being the first Spaniard to title his collections of songs and melodies with the German word Lieder, starting from 1871. The Pedrell songs are marked by enormous contrast, and all closely related to the text's message. The voice and piano accompaniment are superbly treated, and some songs exhibit exotic influences (Arab), at times mysterious and at others romantic. Undoubtedly, a work worthy of being among the most important lyrical repertoire.
        
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